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Posetite nasu novu grupu na Facebooku: Common Heritage of the Western Balkans Interwar Music
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среда, 25. јун 2008.
Call for papers
International Student Symposium
WESTERN BALKAN INTERWAR MUSIC AND ITS EUROPEAN CONTEXT
On behalf of the musicology students at the Faculty of Music in Belgrade, I invite you to participate in the student symposium entitled Western Balkan Interwar Music and Its European Context. The symposium will be held in Belgrade, Serbia, 8–9 December 2008. Although the subject of the symposium is centred on the questions of music in the Western Balkans between (and during) the world wars (1914–1945), we also encourage and welcome all papers that will help to enlighten its European context. The student symposium is not restricted to musicology students only but is open to all students dealing with the questions of music praxis as well as the role of music in culture. The official languages of the symposium will be BCS (Bosnian-Croatian-Serbian) and English.
The student symposium is a part of the manifestation Days of the Western Balkan Interwar Music and the participants will also have the opportunity to attend the reconstructions of concerts held in Belgrade in the years of 1926 and 1936, partly based on thus far unpublished material and on the archive sources.
The interwar period is known to have been a very prolific time in the history of music when many different musical styles and cultures developed and coexisted. As most of the Western Balkans was incorporated into one state (the Kingdom of Serbs, Croats and Slovenes, i.e. the Kingdom of Yugoslavia) and heavily influenced by the European mainstreams, it has proven impossible to fully investigate the problems of the social context of interwar music without broadening the perspectives of national scholarly discourses. Furthermore, as an issue shared by music students throughout the Western Balkans, this subject can be an appropriate starting position for further continuous communication and exchange of knowledge.
The structure of the symposium will encompass two types of presentation: standard separate papers and panel discussions. Separate papers can be read either in English or in BCS. Each presenter of the separate papers will have 20 minutes for the paper followed by 10 minutes for discussion. The issues we are especially interested are:
- Discourse on music in the interwar period
The questions of musicological and ethnomusicological discourse, as well as the discourse of music critique and other discourses on music. The reception of music.
- Music and institutions
Music institutions, including the institutions of musical education. Musician in the social institutions. The role of institutions in the production of music.
- Music and politics
The place and role of music in the structures of power in the society. Cultural politics and music.
- Music and identity
The role of music in the construction of national, class, gender and other identities.
- Popular music in the interwar period.
- The technology of (re)production of music
The influence of new technologies on the production and reproduction of music. Music and new media. Music and film.
- Music and everyday life
The place of music in everyday life. Music and social groups.
The panel discussions will be organised on the predetermined subjects, in one of the official languages of the symposium. Each participant in the panel discussion will have 5–10 minutes for presentations followed by discussion led by the moderator. The students having separate papers can also participate and one participant can take part in several panel discussions. The panel discussion will be organised if at least four participants apply. We suggest these subjects for the panel discussions:
1. Music in the Project of Creating the Yugoslav Nation (BCS)
2. Music and the Axis Powers (English)
The influence of Nazism and Fascism on music in the interwar Europe. Music in Nazi Germany and Fascist Italy. Music in the occupied areas during the Second World War.
3. Social Context of Symphonic Music in the Kingdom of SCS/Yugoslavia (BCS)
4. Jazz in the Interwar Europe (English)
The spreading of jazz music in the interwar Europe. The political context and interpretations of jazz music. The influence of jazz on art music.
If you are interested in participating in our symposium, please submit a proposal (including your personal data, such as name, surname, affiliation, contact) and an abstract (up to 300 words for standard separate papers; up to 100 words for each presentation within panel discussion) to the above mentioned e-mail address. The proposals and abstracts should be sent not later than September 30th, 2008. The notification of acceptance will be sent not later than October 15th. The selected papers presented at the conference will be published in a volume of proceedings.
We sincerely hope that you will be able to join us and help us to realise this symposium successfully!
Srđan Atansovski
Student-coordinator of the project
WESTERN BALKAN INTERWAR MUSIC AND ITS EUROPEAN CONTEXT
On behalf of the musicology students at the Faculty of Music in Belgrade, I invite you to participate in the student symposium entitled Western Balkan Interwar Music and Its European Context. The symposium will be held in Belgrade, Serbia, 8–9 December 2008. Although the subject of the symposium is centred on the questions of music in the Western Balkans between (and during) the world wars (1914–1945), we also encourage and welcome all papers that will help to enlighten its European context. The student symposium is not restricted to musicology students only but is open to all students dealing with the questions of music praxis as well as the role of music in culture. The official languages of the symposium will be BCS (Bosnian-Croatian-Serbian) and English.
The student symposium is a part of the manifestation Days of the Western Balkan Interwar Music and the participants will also have the opportunity to attend the reconstructions of concerts held in Belgrade in the years of 1926 and 1936, partly based on thus far unpublished material and on the archive sources.
The interwar period is known to have been a very prolific time in the history of music when many different musical styles and cultures developed and coexisted. As most of the Western Balkans was incorporated into one state (the Kingdom of Serbs, Croats and Slovenes, i.e. the Kingdom of Yugoslavia) and heavily influenced by the European mainstreams, it has proven impossible to fully investigate the problems of the social context of interwar music without broadening the perspectives of national scholarly discourses. Furthermore, as an issue shared by music students throughout the Western Balkans, this subject can be an appropriate starting position for further continuous communication and exchange of knowledge.
The structure of the symposium will encompass two types of presentation: standard separate papers and panel discussions. Separate papers can be read either in English or in BCS. Each presenter of the separate papers will have 20 minutes for the paper followed by 10 minutes for discussion. The issues we are especially interested are:
- Discourse on music in the interwar period
The questions of musicological and ethnomusicological discourse, as well as the discourse of music critique and other discourses on music. The reception of music.
- Music and institutions
Music institutions, including the institutions of musical education. Musician in the social institutions. The role of institutions in the production of music.
- Music and politics
The place and role of music in the structures of power in the society. Cultural politics and music.
- Music and identity
The role of music in the construction of national, class, gender and other identities.
- Popular music in the interwar period.
- The technology of (re)production of music
The influence of new technologies on the production and reproduction of music. Music and new media. Music and film.
- Music and everyday life
The place of music in everyday life. Music and social groups.
The panel discussions will be organised on the predetermined subjects, in one of the official languages of the symposium. Each participant in the panel discussion will have 5–10 minutes for presentations followed by discussion led by the moderator. The students having separate papers can also participate and one participant can take part in several panel discussions. The panel discussion will be organised if at least four participants apply. We suggest these subjects for the panel discussions:
1. Music in the Project of Creating the Yugoslav Nation (BCS)
2. Music and the Axis Powers (English)
The influence of Nazism and Fascism on music in the interwar Europe. Music in Nazi Germany and Fascist Italy. Music in the occupied areas during the Second World War.
3. Social Context of Symphonic Music in the Kingdom of SCS/Yugoslavia (BCS)
4. Jazz in the Interwar Europe (English)
The spreading of jazz music in the interwar Europe. The political context and interpretations of jazz music. The influence of jazz on art music.
If you are interested in participating in our symposium, please submit a proposal (including your personal data, such as name, surname, affiliation, contact) and an abstract (up to 300 words for standard separate papers; up to 100 words for each presentation within panel discussion) to the above mentioned e-mail address. The proposals and abstracts should be sent not later than September 30th, 2008. The notification of acceptance will be sent not later than October 15th. The selected papers presented at the conference will be published in a volume of proceedings.
We sincerely hope that you will be able to join us and help us to realise this symposium successfully!
Srđan Atansovski
Student-coordinator of the project
Poziv za radove
Međunarodni studentski simpozijum
MEĐURATNA MUZIKA ZAPADNOG BALKANA I NJEN EVROPSKI KONTEKST
U ime studenata muzikologije Fakulteta muzičke umetnosti u Beogradu čast mi je da Vas pozovem da učestvujete na skupu Međuratna muzika Zapadnog Balkana i njen evropski kontekst. Simpozijum će se održati u Beogradu, od 8 do 9 decembra 2008. Tema skupa centrirana je na pitanja međuratne muzike Zapadnog Balkana, ali su dobrodošli i radovi studenata koji će pomoći da se rasvetli njen evropski kontekst. Skup nije ograničen na studente muzikologije, već je otvoren za sve studente koji se bave izučavanjem muzičkih praksi i ulogom muzike u kulturi. Zvanični jezici simpozijuma su BHS (bosanski-hrvatski-srpski) i engleski.
Simpozijum će biti održan u okviru Dana međuratne muzike Zapadnog Balkana, i učesnici simpozijuma će imati prilike da prisustvuju rekonstrukcijama koncerata koji su bili održani u Beogradu 1926. odnosno 1936, delimično zasnovanim na neobjavljenom materialu i arhivskim istraživanjima.
Međuratni period predstavlja raznovrsni period u istoriji muzike kada su se mnogi muzički stilovi i kulture razvili i koegzistirali. Kako je Zapadni Balkan u to vreme bio objedinjen u okviru jedne države (Kraljevine Srba, Hrvata i Slovenaca, tj. Kraljevine Jugoslavije) i pod značajnim uticajem Evropskih tokova, istraživanje društvenog konteksta međuratne muzike bez prevazilaženja perspektiva nacionalnih naučnih diskursa pokazalo se nemogućim. Pored toga, ova tema, proučavana od strane studenata širom Zapadnog Balkana, može biti pogodna polazna osnova za dalju kontinuiranu komunikaciju i razmenu znanja.
Struktura simpozijuma obuhvataće dve vrste prezentacija: standardne radove i okrugle stolove. Radovi mogu biti čitani na BHS-u i na engleskom jeziku. Svaki učesnik će imati 20 minuta za prezentaciju rada, nakon čega će slediti diskusija od 10 minuta. Kao okvirne tematizacije predlažemo:
- Diskurs o muzici u međuratnom periodu
Pitanja muzikološkog, etnomuzikološkog, kao i diskursa muzičke kritike i ostalih govora o muzici. Pitanja recepcije muzike.
- Muzika i institucije
Muzičke institucije, uključujući obrazovne institucije. Muzičari u institucijama društva. Uticaj institucija na produkciju muzike.
- Muzika i politika
Mesto i uloga muzike u društvenim strukturama moći. Kulturna politika i muzika.
- Muzika i identitet
Uloga muzike u konstrukciji nacionalnih, klasnih, rodnih i ostalih identiteta.
- Popularna muzika u međuratnom periodu
- Tehnologija (re)produkcije muzike
Uticaj novih tehnologija na produkciju i reprodukciju muzike. Muzika i novi mediji. Muzika i film.
- Muzika i svakodnevni život
Uloga muzike u svakodnevnom životu. Muzika i društvene grupe.
Okrugli stolovi biće organozovani na unapred utvrđene teme, na jednom od dva zvanična jezika simpozijuma. Svaki učesnik imaće 5-10 minuta za svoje izlaganje, nakon čega će uslediti diskusija koju će voditi moderator. U okruglim stolovima mogu učestvovati kako studenti koji izlažu rad, tako i oni koji ne izlažu; jedan učesnik može učestvovati i u više okruglih stolova. Okrugli sto će biti organizovan ukoliko se prijavi najmanje 4 učesnika. Predlažemo sledećim teme:
1. Muzika u projektu stvaranja jugoslovenske nacije (BHS)
2. Muzika i sile osovine (engleski)
Uticaj nacizma i fašizma na međuratnu evropsku muziku. Muzika u nacističkoj Nemačkoj i fašističkoj Italiji. Muzika na okupiranim teritorijama u Drugom svetskom ratu.
3. Društveni kontekst simfonijske muzike u Kraljevini SHS/Jugoslaviji (BHS)
4. Džez u međuratnoj Evropi (engleski)
Širenje džeza u međuratnoj Evropi. Politički kontekts i interpretacije džeza. Džez u umetničkoj muzici.
Ukoliko ste zainteresovani za učešće na našem simpozijumu, molimo Vas da pošaljete prijavu (koja će uključivati Vaše lične podatke – ime, prezime, ustanovu i kontakt) i sažetak (do 300 reči za radove, odnosno do 100 reči za svako učešće u okruglom stolu). Prijave za učešće slati na e-mail adresu do 30. septembra 2008. Obaveštenja o prihvatanju/odbijanju biće poslata do 15. oktobra. Izabrani radovi biće štampani u okviru zbornika.
Iskreno se nadamo da ćete nam se pridružiti i pomoći nam da uspešno realizujemo naš simpozijum!
Srđan Atanasovski
student-koordinator projekta
MEĐURATNA MUZIKA ZAPADNOG BALKANA I NJEN EVROPSKI KONTEKST
U ime studenata muzikologije Fakulteta muzičke umetnosti u Beogradu čast mi je da Vas pozovem da učestvujete na skupu Međuratna muzika Zapadnog Balkana i njen evropski kontekst. Simpozijum će se održati u Beogradu, od 8 do 9 decembra 2008. Tema skupa centrirana je na pitanja međuratne muzike Zapadnog Balkana, ali su dobrodošli i radovi studenata koji će pomoći da se rasvetli njen evropski kontekst. Skup nije ograničen na studente muzikologije, već je otvoren za sve studente koji se bave izučavanjem muzičkih praksi i ulogom muzike u kulturi. Zvanični jezici simpozijuma su BHS (bosanski-hrvatski-srpski) i engleski.
Simpozijum će biti održan u okviru Dana međuratne muzike Zapadnog Balkana, i učesnici simpozijuma će imati prilike da prisustvuju rekonstrukcijama koncerata koji su bili održani u Beogradu 1926. odnosno 1936, delimično zasnovanim na neobjavljenom materialu i arhivskim istraživanjima.
Međuratni period predstavlja raznovrsni period u istoriji muzike kada su se mnogi muzički stilovi i kulture razvili i koegzistirali. Kako je Zapadni Balkan u to vreme bio objedinjen u okviru jedne države (Kraljevine Srba, Hrvata i Slovenaca, tj. Kraljevine Jugoslavije) i pod značajnim uticajem Evropskih tokova, istraživanje društvenog konteksta međuratne muzike bez prevazilaženja perspektiva nacionalnih naučnih diskursa pokazalo se nemogućim. Pored toga, ova tema, proučavana od strane studenata širom Zapadnog Balkana, može biti pogodna polazna osnova za dalju kontinuiranu komunikaciju i razmenu znanja.
Struktura simpozijuma obuhvataće dve vrste prezentacija: standardne radove i okrugle stolove. Radovi mogu biti čitani na BHS-u i na engleskom jeziku. Svaki učesnik će imati 20 minuta za prezentaciju rada, nakon čega će slediti diskusija od 10 minuta. Kao okvirne tematizacije predlažemo:
- Diskurs o muzici u međuratnom periodu
Pitanja muzikološkog, etnomuzikološkog, kao i diskursa muzičke kritike i ostalih govora o muzici. Pitanja recepcije muzike.
- Muzika i institucije
Muzičke institucije, uključujući obrazovne institucije. Muzičari u institucijama društva. Uticaj institucija na produkciju muzike.
- Muzika i politika
Mesto i uloga muzike u društvenim strukturama moći. Kulturna politika i muzika.
- Muzika i identitet
Uloga muzike u konstrukciji nacionalnih, klasnih, rodnih i ostalih identiteta.
- Popularna muzika u međuratnom periodu
- Tehnologija (re)produkcije muzike
Uticaj novih tehnologija na produkciju i reprodukciju muzike. Muzika i novi mediji. Muzika i film.
- Muzika i svakodnevni život
Uloga muzike u svakodnevnom životu. Muzika i društvene grupe.
Okrugli stolovi biće organozovani na unapred utvrđene teme, na jednom od dva zvanična jezika simpozijuma. Svaki učesnik imaće 5-10 minuta za svoje izlaganje, nakon čega će uslediti diskusija koju će voditi moderator. U okruglim stolovima mogu učestvovati kako studenti koji izlažu rad, tako i oni koji ne izlažu; jedan učesnik može učestvovati i u više okruglih stolova. Okrugli sto će biti organizovan ukoliko se prijavi najmanje 4 učesnika. Predlažemo sledećim teme:
1. Muzika u projektu stvaranja jugoslovenske nacije (BHS)
2. Muzika i sile osovine (engleski)
Uticaj nacizma i fašizma na međuratnu evropsku muziku. Muzika u nacističkoj Nemačkoj i fašističkoj Italiji. Muzika na okupiranim teritorijama u Drugom svetskom ratu.
3. Društveni kontekst simfonijske muzike u Kraljevini SHS/Jugoslaviji (BHS)
4. Džez u međuratnoj Evropi (engleski)
Širenje džeza u međuratnoj Evropi. Politički kontekts i interpretacije džeza. Džez u umetničkoj muzici.
Ukoliko ste zainteresovani za učešće na našem simpozijumu, molimo Vas da pošaljete prijavu (koja će uključivati Vaše lične podatke – ime, prezime, ustanovu i kontakt) i sažetak (do 300 reči za radove, odnosno do 100 reči za svako učešće u okruglom stolu). Prijave za učešće slati na e-mail adresu do 30. septembra 2008. Obaveštenja o prihvatanju/odbijanju biće poslata do 15. oktobra. Izabrani radovi biće štampani u okviru zbornika.
Iskreno se nadamo da ćete nam se pridružiti i pomoći nam da uspešno realizujemo naš simpozijum!
Srđan Atanasovski
student-koordinator projekta
Committees
Student-coordinator of the project:
Srđan Atansovski, student of musicology, Faculty of Music in Belgrade
Coordinator and supervisor:
Dragana Jeremić-Molnar, Ph.D., assistant professor, Faculty of Music in Belgrade
Program Committee:
mr Ivana Ilić, Belgrade
Vesna Rožić, Zagreb
Biljana Srećković, Belgrade
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srđan Atanasovski, Belgrade
Organising Committee:
Srđan Atanasovski
Jelena Gudović
Artistic Committee:
Goran Marinković, M.A., associate professor
Luka Čubrilo, student of composition
Bratislav Prokić, student of conducting
Srđan Atansovski, student of musicology, Faculty of Music in Belgrade
Coordinator and supervisor:
Dragana Jeremić-Molnar, Ph.D., assistant professor, Faculty of Music in Belgrade
Program Committee:
mr Ivana Ilić, Belgrade
Vesna Rožić, Zagreb
Biljana Srećković, Belgrade
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srđan Atanasovski, Belgrade
Organising Committee:
Srđan Atanasovski
Jelena Gudović
Artistic Committee:
Goran Marinković, M.A., associate professor
Luka Čubrilo, student of composition
Bratislav Prokić, student of conducting
Odbori
Student-koordinator projekta:
Srđan Atansovski, student muzikologije, Fakultet muzičke umetnosti u Beogradu
Koordinator i supervizor:
dr Dragana Jeremić-Molnar, docent, Fakultet muzičke umetnosti u Beogradu
Programski odbor:
mr Ivana Ilić, Beograd
Vesna Rožić, Zagreb
Biljana Srećković, Beograd
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srđan Atanasovski, Beograd
Organizacioni odbor:
Srđan Atanasovski
Jelena Gudović
Umetnički odbor:
mr Goran Marinković, vanredni profesor
Luka Čubrilo, student kompozicije
Bratislav Prokić, student dirigovanja
Srđan Atansovski, student muzikologije, Fakultet muzičke umetnosti u Beogradu
Koordinator i supervizor:
dr Dragana Jeremić-Molnar, docent, Fakultet muzičke umetnosti u Beogradu
Programski odbor:
mr Ivana Ilić, Beograd
Vesna Rožić, Zagreb
Biljana Srećković, Beograd
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srđan Atanasovski, Beograd
Organizacioni odbor:
Srđan Atanasovski
Jelena Gudović
Umetnički odbor:
mr Goran Marinković, vanredni profesor
Luka Čubrilo, student kompozicije
Bratislav Prokić, student dirigovanja
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